New Books
September , 2013
The Essence of Existence in “Behind The Hill”: A Story of (Non)Exisence by Emin Alper
March , 2014
Primary Language tr
Subjects Art
Journal Section Features
Authors

Orcid: 0000-0002-0760-0303
Author: Özgür YAREN (Primary Author)
Institution: ANKARA ÜNİVERSİTESİ, İLETİŞİM FAKÜLTESİ
Country: Turkey


Dates Publication Date : March 20, 2019

 

After the end of the Cold War and transition stages marked by political instability, economic crisis, and ethnic clashes, East European states were transformed into post communist nation states with a liberal market economy. This painful process created discontent, uncertainty, and insecurity among the disillusioned people, overshadowing the trauma of a totalitarian past and creating a certain feeling of nostalgia that emerged all over East Europe in guises such as Jugo-nostalgija and Ostalgie. East European post communist films contribute to post-Communist nostalgia by dealing with the past through individual and collective memory, oral history, urban legends, and documentary and archival footage. This paper is focused on common aesthetic strategies of post communist films, particularly the reduction of past regimes into grotesque ceremonies and the playful manipulation of documentary footage.

Nostalgia, post communist, East Europe, cinema, Jugo-nostalgija

English