The Essence of Existence in “Behind The Hill”: A Story of (Non)Exisence by Emin Alper
March , 2014
Production of Reality in John Cassavetes’ Cinema: An Analysis Through Dialogues and Images
March , 2014
Primary Language tr
Subjects Art
Journal Section Features

Orcid: 0000-0003-1036-2673
Author: Aslı Gön (Primary Author)
Country: Turkey

Dates Publication Date : March 20, 2019


Beyond The Hill (Emin Alper, 2012) is focused on the interactions of a family of men operating as a homosocial group. These family interactions provide a ground for socialization, enabling masculinity to take the form of a social construction. To conceal their crimes, the men unite into male homosociality by adopting the dominant masculinity. The resulting unison, solidarity, and secure environment reinforce male hegemony and enable the family to act like a nation and an army. This article analyses the male homosociality that unites the various masculinities of men in the family. It also discusses aspects of western iconography.

Homosociality, male homosociality, family, socialization, hegemonic masculi- nity, western